When Melodies Gather: Oral Art of the MahraMain MenuOverviewAcknowledgmentsBorn to be Digital?About the MahraHuman and Geographical ContextFind Your PoemTheory of ClassificationIndex of PoemsGlossary (please wait while the terms load)BibliographiesbibliographySamuel Liebhaber92edd610c0d14d00181bd949250cbe90dae08f10
Samʿīn
12017-10-10T20:51:39+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a1282413cyoa19plain2018-04-14T19:04:24+00:00branching_parent_pageAnonymousYou’re an excellent poet with a love of poetic tradition, especially the traditional melodies. Indeed, one specifically sweeping melody—saməʿīn (“Hark, O Hearers!”)—was at the forefront of your mind when composing this boldly oratorical poem.
12017-10-10T20:51:42+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824Dāndān and samʿīn (Occasional)Samuel Liebhaber3cyoa9plain2018-05-07T18:40:46+00:00branching_parent_pageSamuel Liebhaber92edd610c0d14d00181bd949250cbe90dae08f10
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12017-10-10T20:51:39+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824Wahība Raiders8poemplain2020-03-03T07:55:45+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824
12017-10-10T20:51:39+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824Occasional2poem contentplain2018-04-11T13:13:08+00:00Anonymous