When Melodies Gather: Oral Art of the MahraMain MenuOverviewAcknowledgmentsBorn to be Digital?About the MahraHuman and Geographical ContextFind Your PoemTheory of ClassificationIndex of PoemsGlossary (please wait while the terms load)BibliographiesbibliographySamuel Liebhaber92edd610c0d14d00181bd949250cbe90dae08f10
Multiline Monothematic (Tristich)
12017-10-10T20:51:37+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a1282414cyoa21plain2018-05-30T23:59:28+00:00branching_parent_pageStanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824Poetry is a day-to-day component of your work and your highly esteemed public persona. Your poetry hews to convention because it serves a utilitarian purpose: enabling your judgements and opinions to be rapidly and easily transmitted across a broad public. Convention, tradition, and straightforward composition are the order of the day.
Here is an example of genre unmarked, monothematic, tristich poetry:
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12017-10-10T20:51:37+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824Tristich (Occasional)Stanford University Press5cyoa10plain2018-06-08T21:46:57+00:00branching_parent_pageStanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824