When Melodies Gather: Oral Art of the MahraMain MenuOverviewAcknowledgmentsBorn to be Digital?About the MahraHuman and Geographical ContextFind Your PoemTheory of ClassificationIndex of PoemsGlossary (please wait while the terms load)BibliographiesbibliographySamuel Liebhaber92edd610c0d14d00181bd949250cbe90dae08f10
ʿĪsā bir ʿAlī bir Raʿfīt
12017-10-10T20:53:06+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a1282412rawiplain2018-04-11T15:40:27+00:00Angela Erismanb6dabb1f11fcdb28bac14756ccc7be44d987971aI have no personal information regarding ʿĪsā bir ʿAlī bir Raʿfīt except for the fact that he is middle-aged, lives in Damḳawt and was able to recite a few lines of poetry in the Hobyot language (although the degree to which the poem is actually in the Hobyot language may be debated). I recorded two short poems in the Mahri language recited by ʿĪsā bir ʿAlī bir Raʿfīt, plus the lines of alleged Hobyot poetry linked to below.
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12017-10-10T20:51:25+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824Poem in Hobyot?7poemplain2018-05-15T20:57:46+00:00Samuel Liebhaber92edd610c0d14d00181bd949250cbe90dae08f10
12017-10-10T20:51:19+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824A Slippery Father5poemplain2018-04-16T12:58:00+00:00Angela Erismanb6dabb1f11fcdb28bac14756ccc7be44d987971a